“Susan Forest is a consummate stylist, and a master of subtle characterization. She draws you in from page one, and doesn’t let go.”
— Robert J. Sawyer, Hugo Award-winning author of HOMINIDS
To Go Home To Leal
Once again, Beneath Ceaseless Skies features moody and atmospheric stories in their issue # 94. “To Go Home to Leal” is set in a port city where Kaul works at odd jobs just to stay afloat. His father Daugh has had his hand cut off as a thief and longs to go back to his home in Leal, but thieves are not allowed in. Kaul comes up with a plan involving a wizard and a magic spell that will allow them both to return, but things don’t go quite right, and not in the way I may have implied by those words. Susan Forest adds some unexpected and fascinating complications and gives Kaul a heartwrenching dilemma in the end.
Lois Tilton, Locus Online (Starred review from 2012 Recommended Reading List)
I found the ending unexpected, though oddly right.
The ending is quite arresting. I felt relief at Kaul’s final choice, and then I was ashamed, and that’s an awesome thing to evoke from an audience.
Loved this story. I won’t spoil the plot of it in my praise, but it had me by the nose all the way through, and, like a character caught in a story, I did not know which way things would turn out. This, to me, is one of the key things in story-telling–to make the inevitable ending in the writer’s mind become the consequences of a character’s choices. An excellent tale. Thanks.
SF Crowsnest (September, 2012)
“7:54” by Susan Forest tackles the big question: fatalism. Winnie works with streamsight, a method of checking the data stream to predict the future. How this functions exactly is carefully vague but that’s okay in Science Fiction. The story point is that she sees a road accident in the near future in which her colleague Henri gets killed. She likes Henri and sets out to prevent this happening. Telling it in the first person, from Winnie’s point of view, allows the author to give us lots of her speculations about what will happen next. However, the issue is a key one for humans and for science. Is the future fixed and immutable, or do we change it as we go along?
The Most Invasive Species
Locus Looks At Short Fiction: Rich Horton (March, 2012)
Susan Forest’s “The Most Invasive Species,” set on a human-colonized planet also inhabited by an intelligent indigenous species. A well-meaning newcomer is appalled by the way the indigenous people treat each other, in particular their children so she “rescues” a young family from an apparently abusive parent. This can’t end well. Forest’s message is a bit more complex than tut-tutting about such misunderstandings, though. Ultimately she suggests that human interaction with indigenous species is a priori harmful, at least potentially: we are “the most invasive species.”
Nice story about humans meddling with ecosystems (and species) they don’t really understand, and messing up.
Robert Silverberg (Contest Judge):
Susan Forest’s “LUCY” is classic science fiction in the problem-solving mode. She creates a realistic alien environment that possesses great difficulties for the humans that have come there, sets her characters in opposition to those difficulties and works out the solution to the challenge with admirable narrative logic. I think that very demanding editor, Horace Gold of the old GALAXY magazine would have responded to this story and author with great excitement.
Denis G. May: Outstanding Story, November 14, 2011
Wow!! I Loved this story and I would enjoy seeing this story made into a novel, or even a series of novels like Allen Steele’s “Coyote” series. This story has just about everything I love in SF; a far off planet (moon in this case), with an alien biochemistry hazardous to humans (forcing people to overcome and/or adapt), adventure, a little romance, and even a little politics. If I were an Anthologist I would put this story in my Best of…. I’m very interested in what happens to Tian and Jerry and their small community in the future, but also the back story, what went on before “Lucy” to create the conditions that take place in the story. Also, Great Title, very appropriate. Susan, please write more, I will be looking for your work in the future!
Playing Games, by Susan Forest is about a little girl who liked to go on adventures to find the Tooth Fairy and other fantastical creatures. She fully intends to find out where Santa’s elves come from. Her informant tells her that he is an agent in the North Pole and will happily oblige her request. It all seems an innocent game that she plays chasing the Easter Bunny down rabbit warrens and other childish games, but this time it’s no game. This tale follows the Grimm and Dahl method of child story telling, giving them exactly what they hope for!
Playing Games, by Susan Forest is a strange tale of two inquisitive girls, one of whom seeks the answer to where Santa’s elves come from. But when she makes it back to the North Pole, she finds out too late that she doesn’t like the answer. This is a weird one. Cute, clever, but weird. A little dark adult fable disguised as a kid’s story.
The Fix, Short Fiction Review
Back by Susan Forest is so nicely written a short story–one of those familiar little time paradox stories we’ve been enjoying in Analog lately…Read the story. You’ll enjoy it.
SFRevu Column, Lawrence M. Schoen
Susan Forest’s “Back” is set in a near future in which two friends, Alan and Victor, are working on a time machine, using Victor’s knowledge and Alan’s money inherited from a rich uncle with the same name…This was a fun read.
The Internet Review of Science Fiction
Alan and Victor are partners in the attempt to build a working time machine. They know that they will succeed, because on the day they rent the warehouse they are going to use for their experiments, a note appears on a desk: “It worked!” Over the years, they succeed in sending various objects and then organisms back in time, but the real test is in returning them to the present. They train chimps to activate the return switch, but while the chimps disappear, they never come back. Sensing failure, their backers pull out, their reputation is ruined and finally, Alan and Victor have a falling-out. But both, in their own different ways are determined to solve the problem. A clever look at an old SFnal problem.
In the thought-provoking Immunity, by Susan Forest, Trine has a dilemma. She can inoculate her suffering baby girl against the plague, or she can use the serum to ensure the health of one of her colony’s members, which she, as a medical admin is responsible for. Forest’s clean, stark style drops you right into the setting of Trine’s colony, where drama seems all the starker because of the isolated setting. Immunity reminded me favourably of the late, lamented TV shoe, Firefly, in which denizens of an intergalactic frontier confront moral choices with no easy answers.
Paid in Full
Yeff on Stuff
Favorite: Paid in Full by Susan Forest. An insect farmer (yes, insect farmer) deals with his relationship with a fellow farmer and the difficulties of the farming life.
This one was fun. It did not take me long to get an image of this world in my mind. The descriptions were great and I really liked the usage of common terms to describe otherworldly things. Gnats are pesky critters on any world I guess. And so are humans; Susan Forest gives us characters that we can all identify with. For me this made it easy to suspend reality and immerse myself in her tale.
The Right Chemistry
The Right Chemistry, by Susan Forest has chemistry, real chemistry in terms of the more chemistry you know, the more laughs or insights you may get from it. But even I, who slept through high school chemistry, got enough out of it to appreciate the twist at the end.
Reviews by readers
Wow. I will be thinking about this story all day if not all month! What an appropriate and disquieting analogy, and beautifully written.
Summary Judgement: Orange is a wonderful read that blurs the demarcation between short story and flash fiction.
Style defines Susan Forest’s Orange almost as much as its content. Rather than follow a single protagonist through the end of the world, the story is a fusion of a half-dozen pieces of flash fiction. These smaller narrative units are connected together through the exposition of a photographer who produces time lapsed images of an orange impaled upon a spike. Trust me, it’s not as complicated as it sounds. Although the format is unusual, it offers a uniquely cohesive story in relatively few words.
Orange is a story about the end of the world. Although the details of this particular apocalypse are limited, the relationship between The Earth and The Orange offers ample back story. Within the text, Orange presents snapshots of would-be survivors who have taken temporary refuge in the offices of a fictional multinational called SpaceCorp. I’ll let our imagination take it from there as further details would spoil the story.
Despite the brevity of these snapshots, Orange is remarkably nuanced. To call Ms. Forest’s writing rich and evocative is to commit a crime of understatement. However, it’s not just the details that make this story work; the very structure of the text is essential to the overall experience. Short narrative chunks add a consistency of urgency to the story, even when characters find a reprieve from the anarchy of the armageddon. In keeping dialogue terse and descriptions to a pithy minimum, the tempo of the story is similarly accelerated. Such natural pacing happens without the use of extreme violence, immediate doom or other such tropes in the arsenal of plot hastening. Rarely do I find a story offering so much depth for so little investment. Of course that usually means the story’s imagery is going to live in my head for awhile. In this instance, I’ll roll out the red carpet.
I find myself wanting to return to the relationship between The Earth, the orange, and the photogrpher. There’s a certain perfection in having decaying fruit as an analogue to the earth; the symmetry says so much without having to say anything at all. However, the photographer, the voice that connect the narrative bits together, oozes subtext. It’s taking every ounce of my writer’s discipline to avoid turning this review into an exercise in literary deconstruction and analysis. Come on, you know you want to hear me wax poetic about textual nuances, right? Wait, where are you going? Don’t leave!
With an abundance of books and movies jumping on the apocalypse bandwagon, it is wonderful to see a story that taps into popular culture without depending on popular tropes to tell a story. Although Orange’s format is a little more challenging than some other pieces of short fiction, it is absolutely rewarding for those who give it a few minutes worth of thought. The full text of Susan Forest’s Orange can be found on AE: The Canadian Science Fiction Review.
Overall Score: +4
Turning it Off
This is the first story by Susan Forest I have read. Hoping to learn a little more about her, I found her website, and from the looks of it we should be seeing a new novella from her in Analog in the coming months. If it is as interesting as this short story, it will be something to look forward to. Turning it Off was very creative and a good read. I am looking forward to seeing more from Forest. 4.5/5
Sam Tomaino for SFRevu
Two teenagers in the future try “Turning It Off” in the story by Susan Forest. The ‘It’ is what is called a safety which not only protects them from harm but any kind of sensation. As teenagers might do, they turn off each of their safeties and get into trouble. They don’t learn from this trouble in this amusing tale.
TPIs Reading Diary
Everything has safeties which prevent practically all sorts of accidents. Even people have safety systems which prevent accidents by falls etc. But they also dampen the sensitivity of skin. Two teenagers find a way to turn off their safety systems and experiment a little. ***+