Did the midpoint re-plot for The Shadow Spy’s Daughter. I love my process. It didn’t change anything in the central plot line, but I had placeholder things like “Lilly gets a clue,” and I did the work to figure out, “who is the traitor and what did he do?” and how world events would impact stuff. I also did my analysis of what everyone was doing while offstage, and how to get other characters’ (important) backstories in without taking away from the energy. So: little “aha!” moments that enriched the central story. Things were going well, but this has opened a good little floodgate. Nice.